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“ […] It was even worse when we did Streethawk. It was a nightmare. The problem was that we had to deliver a new sequence within five days and sometimes they were asking for a seqence of 50 or 55 minutes of music each time! So we were working sometimes 14 or 16 hours a day. To this day I don´t know what Universal is doing with all those masses of music. We are not allowed to release even a single out of the Streethawk music. They didn´t even want to do the one single we put on Le Parc.
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